In the Making
This exhibition asks the viewer to consciously consider the inherent utility
present in functional ceramics as well as their dynamic capacity for aesthetic
consideration.
The bowls were thrown and altered, becoming progressively asymmetrical.
Decoration was limited to the variations of the white slipped surface. Colour
accents highlight the autographic marks of the maker. The plates on the walls
were fabricated on a RAM Press. An industrial machine engineered for regularity
and precision, my use of the RAM Press explored the notion of hand versus
machine made and the agency of the individual maker. The motif is derived from
an Italian Renaissance pattern. In my examination of historical ceramics, I
have become interested in the migration of motifs between cultures, time and
place.